I took a vacation a few weeks ago, back to where I was born (SF Bay Area). While it was good to see some of my old haunts as a kid (San Francisquito Creek, Perry Lane) it made me think: Damn, when did I get old?
My wife and daughter had never seen where I grew up, and my wife had to go to the Bay Area to attend the GDC (Game Developers Conference), so I figured -- what the hell. I hadn't been back to the Bay Area since I left for Arizona shortly after the 1989 World Series earthquake.
I was born in Palo Alto in the early 1950s, and my mother was a confirmed Bay Area inhabitant. As a kid I got to see many of the things that my mom valued as a kid. For me the most important things were the San Francisco Zoo and Steinhart Aquarium (I subsequently worked at Steinhart for years on and off, including and after the summer of 1970, mainly with the herps -- that's reptiles and amphibians for Ann Coulter Official Chat members, and others who just can't make it past STDs).
Anyhow, Dr. Earl S. Herald ran Steinhart Aquarium in the 50s and 60s, and also was the host of a show called Science in Action, which I never missed. While Dr. Herald was an ichthyologist (that's a scientist who studies fish, for ACOC members) he regularly had herps on the show too. I believe that the first time I had ever heard of an Elephant's Trunk Snake (Acrochordus javanicus) was when Dr. Herald was hauling one around on stage. I started a correspondence with him when I was eight, telling him how much I enjoyed his program and asking him questions about various creatures (usually reptiles), and he ALWAYS wrote back. These days a busy man like that would just funnel letters from some kid off to his secretary so that she could shoot off some form letter, but not Dr. Herald. Anyhow, I kept writing to Steinhart through high school, and then my dad arranged for me to get a summer job with a friend of his in the San Francisco Bay Area, salary, room and board included. One weekend I went up to San Francisco, and dropped in at Steinhart just to see if I could volunteer. Karl Switak, the supervising herpetologist at the aquarium who had also responded to my letters for years, knew who I was immediately, and I was set up as a volunteer on the spot. And what an experience it was.
While volunteers aren't supposed to have anything to do with venomous reptiles, I was tossed a set of keys which allowed me to have the run of Steinhart Aquarium, and told "If you get bitten, I don't know anything about it!" At the age of 17, I got to work with things I had only read about since I was a kid: bushmasters, Gila monsters, mambas, big constrictors, Old World vipers, rattlers of every species including the largest: the Eastern diamondback -- I remember one they had in a box in the holding room had a head that was about as wide across as a human hand. That's a big snake. Also in that room was a full-sized adult indigo snake (Drymarchon corais) -- the largest species of non-venomous snake in the US. It remains the only one I have ever handled. And that was just in the holding room, which had more stuff in it than most zoos had for a display collection. Additionally, there were about six or so species of cobras at Steinhart when I was there, including a king cobra measuring about twelve feet or so. At Steinhart I got to experience the feeling of king cobra intelligence -- these were ancient displays, and working behind the reptile panel I would occasionally glance at the big door at the end of the panel. It had a round porthole in it through which you could keep an eye on the king, and invariably, while I was working, it was keeping its eye on me. I would often find it looking at me through the porthole as I worked, and its expression definitely showed something like intelligence...I'm not the only snake person to say this, either. The king cobra's diet consists primarily of snakes (hence its generic name, Ophiophagus -- that's Latin, for ACOC members -- meaning snake eater) and so one of my jobs when I wasn't at the aquarium was to cruise the roads looking for roadkilled snakes to toss into the freezer at Steinhart to thaw later for meals. And remember I'm talking about antiquated exhibits here -- modern exhibits for cobras such as this have a remote door that you can raise up to allow the snake to access a darkened hide box. You pull on a cable, the snake notices the door, and naturally wants to go into the dark to be away from the public. Once the snake's in there, you drop the door to keep the snake in there, and then you can safely service the display. Not at Steinhart -- to feed the king cobra you would look through the porthole to make sure it wasn't right at the door, yank the door open, fling a thawed snake into the cage and hopefully slam it before the snake got out into the hallway with you. Usually it would snag its dinner in mid-air, and you were off the hook, but I've gotta tell you that this feeding method wouldn't be allowed at today's zoos.
Anyhow, the old Steinhart Aquarium was a wonderland for me -- a teenager whose whole life's desire was to someday be a famous herpetologist. With its neoclassical structure, built after the San Francisco earthquake of 1906 (in 1923, I believe), Steinhart Aquarium was a magnificent building, with columns, a whale fountain in front, and a huge swamp area with alligators, crocodiles, and alligator snapping turtles right in front of you when you walked in the door. I got to climb around in the swamp, feed the gators, occasionally capture an alligator snapper to haul to the Aquarium roof for some sun to kill fungus on its shell, and I remember donning a yellow rain slicker so that I could haul a young harbor seal up to the roof for the same reason. I was trusted and felt valued by the staff. At the age of seventeen I was living a dream, and working at Steinhart Aquarium remains the highlight of my life.
After the 1989 earthquake damaged the Aquarium, rather than repair it, they decided to rip the entire thing down, and in the place of its magnificence we have a modern thing that looks like an Erector Set gone mad -- Renzo Piano the architect notwithstanding, it's just one more concrete and steel building, but at least it has this really neat plant-covered roof. There is almost no reptile collection. The current thing in zoos and aquariums is multi-species exhibits to illustrate relationships between organisms, and that's what's at the California Academy of Sciences now (Steinhart was always THE main part of the Academy, but how they can continue to call it Steinhart Aquarium astonishes me). You be the judge -- here's the old Steinhart:

and here's the "new" one:

The whale fountain's gone, the columns are gone (except for replicas inside the building, which are just heartbreaking), and it made me realize that, yes indeed, forty years have really passed by since my seventeenth summer. That summer I got to see the musical "Hair," and the movie "Easy Rider." I had my first experience riding on commuter trains alone to a big city, and learning how to successfully make it across the city on public transit. My boss took me around Alcatraz in a sailboat, and I watched the Indians, who that summer were occupying the island, hanging their laundry in cell windows. And that summer I got to work in what once was possibly the greatest public aquarium in the US -- certainly on the West Coast at least -- and I was trusted to work with venomous snakes that could kill you easily and fairly quickly. I haven't even really talked about the fish collection, mainly because herps were my primary interest, but when I wasn't working with herps, I was crawling over shark tanks on a catwalk, or feeding a huge sea bass or alligator gars, or maybe just spending a few minutes with Butterball the manatee, scrubbing his back with a deck brush. Steinhart Aquarium was an amazing place, and now, green roof notwithstanding, the soul has been removed. I'm not at all sure that Ignatz and Sigmund Steinhart, the original source of funds for the building of the aquarium, would be very pleased at the place now.
There's an old saying, which I am sure you probably have heard: You can't go home again. Perhaps it's true...I'll never visit the Academy of Sciences again and sort of wish I hadn't seen what they turned it into. My old house on Perry Lane, where I grew up across from Ken Kesey (author of One Flew Over the Cuckoo's Nest and prominent druggie) is still there. If you've ever read Tom Wolfe's book The Electric Kool-Aid Acid Test

but the huge oak tree that was once in the middle of the street is gone now -- my mom proudly told me that her first date ran into that tree -- dead of disease, and a new little one has been planted to replace it:

with a little plaque commemorating it -- when I was a kid it was Perry LANE, not Avenue:

I went to other places from my youth, too, and they had changed -- an example is the Pulgas Water Temple. The Pulgas (Spanish for "fleas") Water Temple is a structure that was built at the end of the aqueduct that channels water from the Hetch Hetchy Reservoir in the Yosemite Valley to the Bay Area.

After the great earthquake and fire of 1906, the residents of San Francisco decided that they needed more water so that they wouldn't have to watch their entire city burn down again, and so Yosemite was screwed up by damming off a valley to make a reservoir. While this would NEVER happen in today's ultra-sensitive enviro-society -- the most they do these days is screw up pristine desert by building acres of windmills -- the Water Temple was another spot from my youth that's been changed irreparably. When I was REALLY young, the inside of the temple was an open hole, where kids could watch the staggering amount of water swirl and gush inside the temple as it reached its final destination all the way from Yosemite. Then, in the 70s, I suppose, they put a screen over the top, probably after some druggie jumped in the hole or something, but the water still flowed. Not too long ago they decided to stop the water flow to the temple so that the water could be treated somewhere else before it went to Crystal Springs Reservoir. Now why they couldn't treat the water AFTER it left the temple is a mystery to me, but I'm just one of the uneducated masses. So now what you have is a really ornate structure with a screened-over hole inside. At least they haven't torn the quote with the Biblical plaque off yet, but who knows -- they might switch it out for a plaque commemorating Obama's election. That would make as much sense.

I suppose this kind of change, often for the sake of change alone, is always to be expected, but it makes me wonder: rather than "you can't go home again," perhaps it should really be: you shouldn't go home again. Old memories are sometimes best left as they are, without any updating. However, as the title of this post notes -- perhaps it was just, again, time to move on.
At least San Francisquito Creek, where I scrounged for lizards and three-spined stickleback (a type of fish, again for ACOC members) as a kid looked about the same:

So not everything was different. But, I've gotta say, while I showed my wife and Katie my old neighborhood, and wanted them to see it, and while not all of it changed -- I think that will about do it for memory lane. Getting old, folks.

